
The film is about a model, who sits up for painters and sculptors. She lives in the slum of a metro where she lives with her four step sons, and her own daughter. She must have posed for so many artists but till date she has not been invited to any of the exhibitions. She feels alienated- she is a social margin in the power structure of art. And her wages are horribly low. At one point in the film she says - इस शहर में खोने का मजा तभी है जब कोई ढूंढने वाला हो, लेकिन मोको ढूंढने वाला कोई नहीं है । Great grumbling of deep pathos, and great capturing.
The film is also about attitudes – she is an easy target of male sexual fantasies. She has been abandoned by her husband; now she has to protect herself from the stalkers in her struggle to earn her livelihood. But not all has been lost - she has been immortalized in the paintings and sculptures, and, of course, in the documentary that has been made on her life.
It is the story of the struggle of a woman for livelihood, dignity and self respect. It is the story of a woman’s alienation in the cityscape; it is also the story of redemption and hope.
